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Stefan Lochner The Virgin and Child in a Rose Arbour c1440 Wallraf-Richartz Museum, Cologne
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Stefan Lochner Adoration of the Child (mk08) 1445
Mixed media on wood,
37.5x23.6cm
Munich Bayerische Staatsgemalde-sammlungen,Alte Pinakothek
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Stefan Lochner The Presention in the Temple (mk08) 1447
Mixed media on wood
139x126cm
Darmstadt,Hessisches Landesmuseum
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Stefan Lochner The Virgin of the Rose Garden (mk08) c.1448
Mixed media on wood
51x40cm
Cologne ,Wallraf-Richartz-Museum
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Stefan Lochner The Coronation of the Virgin (nn03) c 1440 Oil on panel
50.5 x 40 cm 19 7/8 x 15 3/4 in Wallraf-Richartz Museum,Cologne
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Stefan Lochner Madonna of the Rose Bower mk68
Oil on wood
20x15 3/4
Cologne
1435-1440
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Stefan Lochner Adoration of the Child mk86
1445
Mixed media on wood
37.5x23.6cm
Alte Pinakothek
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Stefan Lochner The Presentation in the Temple mk86
1447
139x126cm
Darmstadt,Hessisches Landesmuseum
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Stefan Lochner The Virgin of the Rose Garden mk86
c.1448
Mixed media on wood
51x40cm
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Stefan Lochner Madonna of the Rose Bush mk156
c.1448
51x40cm
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Stefan Lochner Saints Matthew,Catherine of Alexandria and John the Vangelist mk170
circa 1445
Oil on oak
68.6x58.1cm
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Stefan Lochner The Virgin in a Rose Arbor nn09
c.1440
wood
171x122cm
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Stefan Lochner Altarpiece of the Patron Saints of Cologne 1440s Mixed technique on wood, 260 x 185 cm (central)
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Stefan Lochner Adoration of the Child Jesus 1445 Wood, 36 x 23 cm
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Stefan Lochner Adoration of Christ mk247
1445,oil on panel 14.75x9.25 in,37.5x23.6cm alte pinakothek,munich,germany
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Stefan Lochner Saints Catherine, Hubert, and Quirinus with a Donor Saints Quirinus of Neuss (or of Rome) (left); Hubert (middle); Catherine of Alexandria, with a Donor. Walnut panel, c. 1435.
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Stefan Lochner Saints Quirinus of Neuss Walnut panel, c. 1435
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Stefan Lochner
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German painter (b. ca. 1400, Meersburg am Bodensee, d. 1451, Köln
was a German late Gothic painter.
His style, famous for its clean appearance, combined Gothic attention towards long flowing lines with brilliant colours with a Flemish influenced realism and attention to detail.
He worked mainly in Cologne, Germany, and his principal work is the triptych of the Altar of the City Patrons (done in the 1440s, which is in the Cologne Cathedral), which represents the city in homage to the infant Jesus. The epitome of his style is Madonna of the Rose Bower (c. 1450, housed in the Wallraf-Richartz Museum in Cologne), showing the Virgin and Child reposing in a blooming rose arbor and attended by Lochner's characteristic child Angels.
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